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Visual Arts Courses at UCSD

Every Visual Arts course at University of California, San Diego, with difficulty, workload, and ratings. 161 courses · 365 ratings across the web

Ratings across the web

Students give VIS courses 3.4 out of 5, and 56% would take one again.

Across 35 rated courses. No reviews written here yet.

Easiest course

VIS102

Democratizing the City · 47/100 difficulty

Most challenging

VIS122D

69/100 difficulty

All Visual Arts Courses (161)

CAT2Culture, Art, and Technology 2

3.6 out of 5 stars3.6· 139 ratings

VIS41Design Communication

2.6 out of 5 stars2.6· 36 ratings

VIS60Introduction to Digital Photography

3.2 out of 5 stars3.2· 34 ratings

VIS120AGreek Art

2.4 out of 5 stars2.4· 9 ratings

VIS100Introduction to Public Culture

3.1 out of 5 stars3.1· 8 ratings

VIS122D

3.1 out of 5 stars3.1· 8 ratings

VIS3Introduction to Art Making: Three-Dimensional Practices

2.8 out of 5 stars2.8· 8 ratings

VIS85AMedia History

3.3 out of 5 stars3.3· 8 ratings

ICAM101

2.5 out of 5 stars2.5· 7 ratings

VIS6Race, Gender, and Robots

2.3 out of 5 stars2.3· 7 ratings

VIS112Theories and Methods

4.3 out of 5 stars4.3· 6 ratings

VIS120BRoman Art

2.6 out of 5 stars2.6· 6 ratings

VIS124CNNineteenth-Century Art

4.5 out of 5 stars4.5· 6 ratings

VIS140

3.4 out of 5 stars3.4· 6 ratings

VIS101Introduction to Urban Ecologies

4.4 out of 5 stars4.4· 5 ratings

VIS103Architectural Practices

3.4 out of 5 stars3.4· 5 ratings

VIS103BArchitecture and Urbanism of Korea

2.6 out of 5 stars2.6· 5 ratings

VIS126PLatin American Art: Modern to Postmodern, 1890-1950

4.4 out of 5 stars4.4· 5 ratings

VIS164Photographic Strategies: Looking and Seeing

4.8 out of 5 stars4.8· 5 ratings

VIS183BStrategies of Alterity

5.0 out of 5 stars5.0· 5 ratings

VIS106BPainting: Practices and Genre

1.8 out of 5 stars1.8· 4 ratings

VIS183AStrategies of Self

3.0 out of 5 stars3.0· 4 ratings

ART207

3.4 out of 5 stars3.4· 3 ratings

VIS102Democratizing the City

5.0 out of 5 stars5.0· 3 ratings

VIS105ADrawing: Representing the Subject

4.7 out of 5 stars4.7· 3 ratings

VIS105BDrawing: Practices and Genre

4.0 out of 5 stars4.0· 3 ratings

VIS106APainting: Image Making

1.6 out of 5 stars1.6· 3 ratings

VIS107ASculpture: Making the Object

2.4 out of 5 stars2.4· 3 ratings

VIS122

4.0 out of 5 stars4.0· 3 ratings

VIS126QLatin American Art: Modern to Postmodern, 1950-Present

3.6 out of 5 stars3.6· 3 ratings

VIS134Introduction to 3-D Asset Design

3.0 out of 5 stars3.0· 3 ratings

VIS163Design Research and Criticism

1.0 out of 5 stars1.0· 3 ratings

VIS175Editing: Theory and Practice

4.3 out of 5 stars4.3· 3 ratings

VIS180BFiction and Allegory in Current Media Practices

4.7 out of 5 stars4.7· 3 ratings

VIS183Film Production Studio Technique

3.6 out of 5 stars3.6· 3 ratings

VIS100ADesign of Public Culture

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VIS101ADesigning Urban Ecologies

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VIS103AContemporary Arts in South Korea

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VIS103CSilk Roads: A Critical Study

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VIS104CPerformance: Art and Public Culture

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VIS105CDrawing: Portfolio Projects

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VIS106CPainting: Portfolio Projects

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VIS107BSculpture: Practices and Genre

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VIS107CSculpture: Portfolio Projects

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VIS108Advanced Projects in Art

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VIS110AContemporary Issues and Practices

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VIS110BProfessional Practice in the Visual Arts

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VIS110CProposals, Plans, Presentations

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VIS110DVisual Narrative

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VIS110EArt in Public Spaces/Site-Specific Art

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VIS110FInstallation: Cross-Disciplinary Projects

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VIS110GThe Natural and Altered Environment

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VIS110HArt and Text

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VIS110IPerforming for the Camera

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VIS110KDigital Studio

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VIS110MStudio Honors I

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VIS110NStudio Honors II

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VIS113ANHistory of Criticism I: Early Modern

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VIS113BNHistory of Criticism II: Early Twentieth Century (1900-1950)

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VIS113CNHistory of Criticism III: Contemporary (1950-Present)

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VIS114ALandscape and Memory

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VIS114BThe Fragment: Uses and Theories

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VIS114GSArts and Visual Culture in China

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VIS117EProblems in Ethnoaesthetics

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VIS117FTheorizing the Americas

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VIS117GCritical Theory and Visual Practice

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VIS120CLate Antique Art

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VIS121ANArt and Experience in the Middle Ages

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VIS121CArt and the Bible in the Middle Ages: Sign and Design

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VIS122ANRenaissance Art

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VIS122BBaroque: Painters, Sculptors, Architects

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VIS122GSThe City in Italy

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VIS123BContemporary Art of the African Diaspora

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VIS123CArt and Visual Culture of the United States

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VIS124BNArt and the Enlightenment

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VIS124DParis, Capital of the Nineteenth Century

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VIS124EThe Production of Nature

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VIS124FArt in the Age of Revolutions

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VIS124GArt and Modernity

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VIS125ATwentieth-Century Art

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VIS125BNContemporary Art

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VIS125EFaces and Powers

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VIS125GRHistory of Socially Engaged Art

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VIS126ANPre-Columbian Art of Ancient Mexico and Central America

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VIS126EIndigenisms I: The Making of the Modern, Nineteenth Century to Mid-Twentieth Century

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VIS126FIndigenisms II: Contemporary Disseminations, Neo-Avantgarde to the Present

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VIS126HNPacific Coast American Indian Art

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VIS126ISouthwest American Indian Art

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VIS126JAfrican and Afro-American Art

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VIS127GSIssues in Modern and Contemporary Chinese Art

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VIS127QJapanese Painting and Prints

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VIS128BTopics in Early Modern Art History

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VIS128DTopics in Art History of the Americas

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VIS128ETopics in Art History of Asia

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VIS129ASeminar in Premodern Art History

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VIS129BSeminar in Early Modern Art History

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VIS129CSeminar in Modern Art History

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VIS129DSeminar in Art History of the Americas

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VIS129ESeminar in Art History of Asia

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VIS129FSeminar in Art Theory and Criticism

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VIS12RRace and Class in American Visual Culture

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VIS130Special Projects in Visual Arts

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VIS131Special Projects in Media

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VIS133Lecture Topics in Speculative Design

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VIS133AStudio Topics in Speculative Design

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VIS135Design Research Methods

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VIS136ASpeculative Fiction Seminar

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VIS141AComputer Programming for the Arts I

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VIS141BComputer Programming for the Arts II

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VIS143AVirtual Environments I

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VIS143BVirtual Environments II

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VIS145ATime- and Process-Based Digital Media I

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VIS147AElectronic Technologies for Art I

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VIS147BElectronic Technologies for Art II

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VIS148Visualizing Art Practice

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VIS150Landmarks of World Cinema

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VIS150ASeminar in Film History and Theory

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VIS151Experimental Cinema

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VIS151ASeminar in Media History and Theory

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VIS156Latino American Cinema

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VIS157Environmentalism in Arts and Media

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VIS158ATopics in Contemporary Photography

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VIS158BPhotography after 1960

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VIS158CHistory of Social Documentary

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VIS158DBlack Subjects and Black Material in Photography

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VIS160ASenior Project in Computing Arts I

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VIS160BSenior Project in Computing Arts II

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VIS161Systems and Networks at Scale

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VIS162Speculative Science and Design Invention

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VIS165Black and White Darkroom

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VIS165AThe Photographic Print

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VIS165BThe Photographer's Studio

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VIS167Social Engagement and Photography

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VIS168Pictorialism and Constructed Reality

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VIS169APhotography in Exhibition and Artist Books

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VIS169BAdvanced Photographic Print

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VIS172Motion Design and Visual Effects

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VIS173Introduction to Animation

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VIS17616mm Filmmaking

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VIS179Intermediate Projects in Media

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VIS180Advanced Projects in 3-D and CGI

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VIS180ADocumentary Evidence and the Construction of Authenticity in Current Media Practices

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VIS181Advanced Sound and Lighting

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VIS182Advanced Editing

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VIS182AAdvanced Digital Photography Editing

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VIS184Advanced Scripting

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VIS190Design Master Studio

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VIS199Special Studies in the Visual Arts

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VIS21CIntroduction to African Art

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VIS32Art, Design, and the Brain

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VIS42Introduction to Creative Coding

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VIS7Movie Magic: From Méliès to Marvel

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VIS71Introduction to Cinematography

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VIS72Introduction to Directing

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VIS73Introduction to Editing

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VIS8Visuality and the African Diaspora

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VIS80Introduction to the Studio Major

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VIS84BFilm Aesthetics

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VIS85BMedia Aesthetics

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VIS87First-year Seminar

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VIS9Introduction to Digital Photography for Non-Majors

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Top Visual Arts Courses at UCSD

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